In year one, students build towards a fully realized role in a public solo live performance. Students are armed with techniques they will need to create believable performances. The class will also focus on relaxation techniques and stripping away anxiety. Students also learn ensemble building skills and grow collaboration skills.

In your second year, what we are primarily concerned with is an invigorating mix of large playful release and observation skills. You spend time getting to know how your body, including your voice, imagination, and feelings are released through the elimination of tension/muscular holding. Scene study begins in the second semester of your second year.

The third year of training represents the transition from technique to application. Hopefully, we will have (sensitively) stripped away the habits you brought into school as First Year students, and now you can work together as an ensemble with a shared vocabulary. Your skills and applications are brought to a new level: “beats” in Scene Study will take a leap into the craft and objectives of an entire scene; you will be introduced to the technique of speaking Shakespeare and verse; you will learn hand-to-hand combat to armed combat and so forth.

In the final year of training, we work to tie together all the strands of your training to prepare you to enter the colligate world. To this end, there's an increased emphasis on individual tutorial work, specialized dialect work, and coaching in connection with productions. Important classes include working to help you begin taking charge of business affairs and learning how to audition, as well as your many options in the world of theatre, film and television. There are additional workshops to broaden your sense of collaboration. You also have the opportunity to work on-camera. In addition, there is on-going selection and preparation for your final scenes for your showcase presentations.